The HgN is my take on a nylon strung harp guitar. The shape is based on a Torres classical guitar with a graceful harp arm and head. The bracing follows a modified 7 braces fan pattern with some extra support on the upper bout. The six basses are tuned (high to low) D C B A G F. On this model I did not use individual pins for the bass strings for a cleaner look on the harp headstock and a slightly mellower tone on the bass.
The Hg2 is an evolution of my first hg design, with a slightly different bracing pattern, the bevelled armrest and a few extra refinements. I also introduced a new pinless bridge design based on the work of the great Jeffrey Elliott. This pinless bridge anchors the strings with tiny metal rods (I use titanium) and allows for a very light and user friendly system. For the bass tuners I opted for mini guitar tuners for a more precise tuning over the more traditional banjo machine heads. It is possible to have more bass strings and to outfit it with sharping levers for extra convenience on the stage and less retuning!
This is the harp guitar that started it all for me. After seeing the awesome Stephen Benett in concert in Los Angeles with my luthier friend Kathy Wingert I fell in love with the instrument. It so happaned that a few months later Stephen would play in Padova at an event organized by an old friend of mine, upcoming guitarist Francesco Faldani, and so I went to see Stephen again, and, brought over my first Columbia model to see if he would try it. To make a long story short, after the concert Stephen did try the guitar for half an hour, and when he was done the only comment he made was telling francesco he had found who could build him a harp guitar! There started the journey of research for this wonderful and fascinating instrument.
The idea of a portable stage/ready harp guitar came after a delivery incident happened to Muriel Anderson. That made me realize how touring musician playing harp guitars usually carry another guitar as well, making the whole transportation a bit cumbersome. So how about a harp guitar that could fit in your suitcase?
The portable HG comes apart and goes back together with no tools in a few minutes, has the ergonomics of a regular harp guitar, and with its D-Tar pickup has a great live sound. Plus it looks cool!
All of my guitars are handmade, from the planks of wood to the finish buffing. The wood is carefully selected to achieve the desired tone, and flawlessy worked into a responsive and playable instrument. Each guitar can be customized with a wide array of options, from the cutaway to a compound radius fingerboard, and one-of-a-kind inlays and rosettes. I reserve particular attention to the ergonomics of the instrument and its playability, carefully developing a design idea that ties the instrument together.
Guitar making is a powerful mix of tradition and innovation. Each builder tries to find his personal recipe, and it's amazing how many different incarnations of a few pieces of wood and strings are out there. I tend to build with a modern approach with regards to the specs of the instrument (adjustable neck systems, alternative bridge designs, fan frets, bevelled armrest...), but some aspects of the construction are very traditional. For example I excusively use hide glue to brace the plates, the braces are hand carved, joints are hand planed.